Mixed Messages (Streets & Screens) AOL + Lottery: Kahlil Robert Irving

14 March - 28 November 2020
Overview
Kahlil Robert Irving Tilted Mass: Crushed Floral vessel (circa: some century) Enjoy Heaven, 2018 glazed and unglazed stoneware and porcelain, opal luster, gold luster, silver luster, blue luster, found decals, personally constructed decals 13 1/2 x 8 x 8 in (34.3 x 20.3 x 20.3 cm)
Kahlil Robert Irving
Tilted Mass: Crushed Floral vessel (circa: some century) Enjoy Heaven, 2018
glazed and unglazed stoneware and porcelain, opal luster, gold luster, silver luster, blue luster, found decals, personally constructed decals
13 1/2 x 8 x 8 in (34.3 x 20.3 x 20.3 cm)

Jenkins Johnson Gallery is pleased to announce that we are extending the dates of Mixed Messages (Streets & Screens) AOL + Lottery through November 28th. We will be open via timed ticket entry every Saturday at Minnesota Street Projects. To reserve your timeslot please visit the Minnesota Street Projects website here.

 

Jenkins Johnson Gallery is pleased to announce that we are extending the dates of Mixed Messages (Streets & Screens) AOL + Lottery through November 28th. We will be open via timed ticket entry every Saturday at Minnesota Street Projects. To reserve your timeslot please visit the Minnesota Street Projects website here.

 

Kahlil Robert Irving’s first solo presentation in San Francisco. This exhibition revels in all the different media Irving employs within his practice, from the digital space of technology and social media to the use of materials to represent aspects of the built world around us. The artist comes from the post-industrious Midwest of Saint Louis, Missouri, a landscape that informs this installation.

Press release

Jenkins Johnson Gallery is pleased to present Mixed Messages (Streets & Screens) AOL + Lottery, Kahlil, Robert Irving’s first solo presentation in San Francisco. This exhibition revels in all the different media Irving employs within his practice, from the digital space of technology and social media to the use of materials to represent aspects of the built world around us. The artist comes from the post-industrious Midwest of Saint Louis, Missouri, a landscape that informs this installation.

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