"To become imperceptible oneself, to have dismantled love in order to become capable of loving. To have dismantled one's self in order finally to be alone and meet the true double at the other end of the line. A clandestine passenger on a motionless voyage. To become like everybody else; but this, precisely, is a becoming only for one who knows how to be nobody, to no longer be anybody. To paint oneself gray on gray."
- Gilles Deleuze, A Thousand Plateaus: Capitalism and Schizophrenia
Jenkins Johnson Projects, New York, is pleased to present A Thousand Plateaus, a group exhibition curated by Hank Willis Thomas with Daphne Takahashi, featuring new works by Chris Berntsen, Camille Hoffman, Kambui Olujimi, and Patrice Renee Washington. The title draws upon the 1980 philosophical text A Thousand Plateaus by Gilles Deleuze and Félix Guattari which examines the idea of “assemblage” - an entity that is composed of multiple component parts that are not static or fixed. With its roots in the French word agencement, “assemblage” translates narrowly to English as "arrangement," "fitting,” or "fixing."