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Dr. David C. Driskell, I Want Two Wings, 1973
Dr. David C. Driskell, I Want Two Wings, 1973
Dr. David C. Driskell, I Want Two Wings, 1973

Dr. David C. Driskell

I Want Two Wings, 1973
collage, gouache, and pencil on paper mounted to board
9 3/8 x 7 3/8 in (23.8 x 18.7 cm)
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Dr. David C. Driskell (b. 1931, Eatonton, GA, d. 2020, Hyattsville, MD) was a legendary African American artist and art historian. As an artist, scholar, and curator, he made substantial...
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Dr. David C. Driskell (b. 1931, Eatonton, GA, d. 2020, Hyattsville, MD) was a legendary African American artist and art historian. As an artist, scholar, and curator, he made substantial contributions to these fields that have changed the way we think about American art. His paintings and collages unite a strong modernist impulse with his personal vision and memory. Driskell transformed iconic African art forms into honorific personal visions – flattened, decorated, and resurfaced in his signature style, color, and calligraphy - and melded these forms with Modernist aesthetics and the tradition of Western art. Driskell’s pioneering scholarship underpins the current field of African American art history. Among his most influential curatorial contributions is the exhibition and catalogue for the groundbreaking Two Centuries of Black American Art, which opened in 1976 at the Los Angeles County Museum of Art (LACMA) and traveled to museums across the country. In 1977, after having taught at Talladega College, Howard University, and Fisk University, Driskell joined the Department of Art at the University of Maryland where he remained until his retirement in 1998. The University of Maryland opened The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora in 2001 to celebrate his legacy as an artist and art historian.

‘I Want Two Wings’ is entitled after the African American spiritual song of black migration “Two Wings”. This painting incorporates collage in order to emphasize the formal properties without eliminating the graphic content of the figure's face and hand. Driskell's pictorial and perceptual ideas are found more in the assemblage of his work, intuitively combining materials while simultaneously omitting the collage elements.
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Provenance

The Estate of Dr. David C. Driskell

Exhibitions

Art Basel, Jenkins Johnson Gallery, Basel, Switzerland, 2023.

David Driskell: Mystery of the Masks, DC Moore Gallery, February 17, 2002 - March 26, 2002.

Literature

Valentine, Victoria L. On View: See Images From David Driskell: Mystery of the Masks Exhibition Explores Recurring Symbol in Artist's Practice at DC Moore Gallery in New York, Culture Type, online, March 26, 2022, illus

Publications

David Driskell: Mystery of the Masks, essay by Julie L. McGee, exh. cat., New York: DC Moore Gallery, 2022, p. 9

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