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Wesaam Al-Badry

Wesaam Al-Badry

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  • Strangers No More

    Sonia Paul, Pop Up Magazine, December 15, 2021
  • Wesaam Al-Badry, Firebaugh # I, 2021 Courtesy of the artist and Jenkins Johnson Gallery, New York and San Francisco

    Online Event: The Roof is on Fire Closing Toast & Thank You

    SF Camerawork, September 28, 2021
  • Hermes #V, 2018, an archival pigment print by Wesaam Al-Badry, is part of a 2019 gift to Cantor Arts Center from Pamela and David Hornik.

    Arts & Culture: A Curator’s Top Picks

    Sheryl Nonnenberg, Nob Hill Gazzete , September 1, 2021
  • Wesaam Al-Badry, Tangerines #XII, 2020, Jenkins Johnson Gallery, Wesaam Al-Badry, Mr. Francisco #IV, 2020, Jenkins Johnson Gallery

    16 Rising Artists of the Asian Diaspora in the United States

    Harley Wong, Artsy, May 19, 2021
  • mage from “The Thunderhawks,” an ongoing project focusing on a Native American family Wesaam Al-Badry met while covering protests at Standing Rock. Photo: Wesaam Al-Badry

    Dorothea Lange’s legacy lives on through a fellowship at UC Berkeley

    Andrew Gilbert, Berkeleyside, February 19, 2021
  • The buses that transport the “essential workers” to the fields don’t allow for social distancing. (Wesaam Al-Badry / Contact Press Images)

    In California’s Agricultural Heartland, a Mayor Is Running on Compassion

    Wesaam Al-Badry and Magnum Foundation, The Nation , October 13, 2020
  • Sangers, California: Mr. Eberardo picks tangerines. Workers are paid per bag; the average 50-pound bag earns him $1.50. Sangers, California: Mr. Eberardo picks tangerines. Workers are paid per bag; the average 50-pound bag earns him $1.50. © Wesaam al-Badry/Contact Press Images

    Wesaam Al-Badry captures the life of California's food cultivators during the COVID-19 pandemic

    Rolling Stone, May 14, 2020
  • Pamela Hornik Highlights The Work of Wesaam Al-Badry In Intelligent Collector Feature

    Reilly Clark, Candid Words, April 7, 2020
  • The photographer’s mother Aeda Al-Khafaji in her living room. She walked across a war zone in Iraq with five children and spent five years in refugee camps.

    A Refugee’s Story: ‘No One’s Family Is Perfect but Mine Is Perfect for Me’

    James Estrin, The New York Times, February 12, 2019
  • Dorothea Lange Winner Uses His Experience as a Refugee to Document Rural Life

    Will Kane, Berkeley News, January 28, 2019
  • Wesaam Al-Badry, Burberry #XV, 2018

    Photojournalist Wesaam Al-Badry on the Dignity of Suffering

    Emily Wilson, California Magazine, January 4, 2019
  • Wesaam Al-Badry receives Dorothea Lange Fellowship

    December 19, 2018
  • Wesaam Al-Badry, Valentino #X, 2018

    Artspace names Wesaam Al-Badry’s “Valentino #X” one of the Best Artworks at Untitled Art, Miami Beach 2018

    Loney Abrams, Artspace, December 5, 2018
  • From Fashion to Discourse

    De Young Fine Arts Magazine, December 1, 2018
  • Wesaam Al-Badry, Valentino #X, 2018

    The First Exhibition of Muslim Fashion is Coming to San Francisco

    Khaoula Ghanem, Vogue, July 31, 2018
  • Wesaam Al-Badry, Hermes #V, 2018

    A bit of designer silk as a symbol of clashing cultures

    Charles Desmarais, San Francisco Chronicle, April 3, 2018
  • Wesaam Al-Badry, Chanel # VII, 2018, archival pigment print

    The Body Politic in the Age of Trump

    Robert Ayers, The Art Newspaper, March 30, 2018
  • Women’s Rights as Black and White: American Muslims in the Arts

    Engy Abdelkader, The Huffington Post, December 6, 2017

 

 

Jenkins Johnson Gallery

1275 Minnesota Street, #200

San Francisco, CA, 94107

 

T: 415.677.0770

E: sf@jenkinsjohnsongallery.com

Jenkins Johnson Projects

207 Ocean Avenue

Brooklyn, NY, 11225

 

T: 212.629.0707 

E: nyc@jenkinsjohnsongallery.com

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