Renée Cox
Renée Cox (b. 1960, Colgate, Jamaica) has established herself as a deliberate and influential force in contemporary American art over the past three decades, primarily through her compelling photography and mixed-media works. Her artistic practice is distinguished by its inherently provocative nature, directly engaging with and challenging deeply entrenched societal stereotypes, particularly those concerning the Black body and the representation of Black womanhood. The core of Cox's art consistently frames her characteristic self-portraits as poignant arguments on race, desire, religion, feminism, and broader visual and cultural aesthetics. She is widely recognized for her seminal role within the feminist art movement in the United States, with her works serving as powerful exemplars of Black Feminist politics. A key aspect of her methodology involves a systematic critique and repurposing of the established art historical canon. This often manifests through the strategic insertion of Black figures into traditionally white-dominated narratives, thereby creating new consciousnesses and correcting historical omissions. This approach suggests that the controversies her work often generates are not accidental byproducts but rather an integral component of her artistic strategy. By employing provocation, Cox aims to disrupt complacency and compel public discourse on uncomfortable topics such as race, gender, and historical bias. The resulting public discussions, even intense ones, serve to amplify her message, drawing wider attention to the systemic issues of representation and power that her art addresses, thereby extending the reach and impact of her critique beyond traditional art audiences.
Cox attended the Whitney Museum of American Art, Independent Study Program and earned an M.F.A. from the School of Visual Arts. The Rush Philanthropic Arts Foundation honored her in 2015, and she received the Aaron Matalon Award, The National Gallery of Jamaica in 2007. Her work is included in several collections including the Whitney Museum of American Art, the Brooklyn Museum, the Princeton Art Museum, and The Smithsonian Archives of American Art. Cox lives and works in Harlem, NY and Amagansett, East Hampton.
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Into the Woods, They Go (from the Soul Culture series), 2016
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Missy at Home (The Discreet Charms of the Bougie series), 2009
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Lolivya (from The Queen Nanny Series), 2004
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March (from The Queen Nanny of the Maroons series), 2004
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Mother of Us All (from The Queen Nanny of the Maroons series), 2004
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Baby Back, 2001
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Chillen with Liberty (from Raje series), 1998
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Brooklyn According to: Karen Jenkins-Johnson of Jenkins Johnson Gallery
The gallerist talks about loving her Brooklyn community, why the recent Whitney Alvin Ailey show was so important and where to find the best roast chicken in New YorkChris Waywell, FRIEZE, March 20, 2025 -
Jenkins Johnson Gallery gives us ‘Infinite Hope’ with Black photographer celebration
Tony Bravo, Datebook, February 13, 2025 -
Black photographers speak hope to power in SF exhibit
Max Blue, San Francisco Examiner , February 11, 2025 -
Infinite Hope is a powerful celebration of Black excellence and humanity
Tallulah Baird, The Daily Californian , February 3, 2025 -
Here Are 11 Exhibitions You Can't Miss While in San Francisco For FOG
When you have a moment to step outside the fair, make sure to put one (or all) of these shows on your to-do list.Katie Kern, Cultured, January 20, 2025 -
Must See Art Exhibitions Closing in January 2025
Visit these Eleven Exhibitions Before They CloseThe Arts District, January 2, 2025 -
Scatti vintage e sperimentazioni Le voci libere di Paris Photo
Gianluigi Colin, Corriere della Sera, November 8, 2024 -
Renée Cox’s Visions of the Future
In a body of work that spans fine art and fashion photography, Cox has repurposed familiar imagery—the Pietà, “The Last Supper”—to broaden the scope of how we envision our deities and our histories.Gioncarlo Valentine, The New Yorker, September 28, 2024 -
Renée Cox
23 Feb — 23 Mar 2024 at UTA Artist Space in Atlanta, United StatesUT Artist Space, Meer, February 21, 2024 -
Renee Cox Gets the Showcase She Deserves at East Hampton’s Newly Reopened Guild Hall
Shanti Escalante-De Mattei, ARTnews, June 30, 2023 -
Renée Cox: Returned
Jan Avgikos, Brooklyn Rail, October 19, 2019
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In Their Hands
7 Jun - 2 Aug 2025SAN FRANCISCO In Their Hands honors the time, skill, and dedication required to be an artist. The years of training, experimentation, and persistence needed to create something by hand embody...Read more -
Infinite Hope
21 Jan - 1 Mar 2025January 21 - March 01, 2025 Opening Reception: Tuesday, January 21, 2025, 5:00PM-8:00PM Artists Talk 6:30pm, moderated by Key Jo Lee, Chief of Curatorial Affairs and Public Programs, Museum of...Read more
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FOG Design + Art 2025
23 - 26 Jan 2025Jenkins Johnson is pleased to participate in FOG Design+Art 2025. Join us in Booth 107 for the Preview Gala on Wednesday January 22 . The...Read more -
Paris Photo 2024
Booth B10 7 - 10 Nov 2024Jenkins Johnson Gallery is pleased to participate in the 27th edition of Paris Photo with, “To Paris with Love,” highlighting artists from the 1950s to...Read more -
FOG Design+Art
San Francisco, CA 18 - 21 Jan 2024Jenkins Johnson will present eleven artists of the African Diaspora that include works by Adrian Burrell, Renee Cox, Dewey Crumpler, David Driskell, Lola Flash, Violet...Read more