Jenkins Johnson Projects is pleased to present Free to Be, featuring the work of Rico Gatson and Baseera Khan. The title takes its inspiration from Free to Be You and Me, a pioneering children’s program from the 1970's, whose episodic nature challenged traditional gender designations and promoted multiple views of equality. Artists Rico Gatson and Baseera Khan draw upon their own personal history, family, politics, and spirituality. Selected works are placed in dialogue sharing material and imagistic experiences of respect and friendship alongside expansive notions of power dynamics, openness, and freedom. Both artists are based out of Brooklyn, continuing the Project Space’s commitment to dialogue and engagement with the local community.
Rico Gatson will exhibit a new group of works on paper of women activists from the late 60’s / early 70’s as a continuation of his Icon series, including Aretha Franklin, Angela Davis and Kathleen Cleaver. He colors thick black lines and uses vibrant hues such as red, orange, and purple, drawn from the colors of African and Pan-African flags, shooting outward from the personages to the borders of the page. Gatson pulls from the Bauhaus lessons of Josef Albers and Johannes Itten, visual tropes of Constructivism, crossed with a color palette inspired from pan-Africanism. There is an aura of political poster to the imagery and the beams of color that emanate from the small figures, generally situated at the bottom or bottom corners of the page, generate a sense of power, energy, or movement. His recent subway murals installed at 167th Street B/D station in the Bronx build upon these ongoing Icons series, which were exhibited in 2017 at the Studio Museum in Harlem. He will also exhibit Throne II from a series of chair sculptures that memorialize the passing of significant figures in the artist’s life and invite the viewer to project into the space. Additionally, he will show a new group of geometric abstract paintings and totems and a short video titled Memphis which features historic sites in that city including Stax Records, The Civil Rights Museum, and Aretha Franklin’s birth home.
Baseera Khan sees bodies as constantly subject to volatile social environments-globally and most notably within capitalist-driven societies such as the United States. Volatility creates a need for her to develop secretive spaces, to share internalized conflicts of exile and kinship shaped by our economic, pop cultural, and personal identities. Using fashion, photography, comedy, misspelled words, textiles and music, Khan is able to manifest legibility for her femme native Muslim American experience. In her new work, based on a series called Seats, she uses textiles from traditional Islamic wardrobes, undergarments, prayer rugs, pleather, and photographic materials printed on silk from family albums, merged with images of the new women of color who have recently taken seats in the House of Representatives. A set of drawings will accompany the Seats that document a potential for comfort, and Khan’s desire for equality in new policies and laws by people that look similar to her family and friends. Khan will also share at set of Nike ID Shoe sculptures and a short film called Brothers and Sisters.