Deborah Roberts

Baldwin's Promise, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

The Plea, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Somebody's Champion, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Baby Girl, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Be Still, 2017

mixed media on paper

44 x 32 inches

Deborah Roberts

About Face, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Bare Feet Girls Grow Up Mean, 2017

mixed media on paper

44 x 32 inches

Deborah Roberts

Unbothered, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Black Eva, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Untitled (Diluted), 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Not Today, 2017

mixed media on paper

44 x 32 inches

Deborah Roberts

We Heard the Thunder #6, 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Untitled (Armor), 2017

mixed media on paper

30 x 22 inches

Deborah Roberts

Ain't I A Woman #A-110, 2017

mixed media on paper

13 x 10 inches

Deborah Roberts

Ain't I A Woman #A-105, 2017

hand-painted serigraph

13 x 10 inches

Deborah Roberts

Pluralism #6, 2016

mixed media on paper

30 x 22 inches

Press Release

Jenkins Johnson Gallery is pleased to present its first solo exhibition by interdisciplinary artist Deborah Roberts. The show will feature multi-media collages that explore issues faced by black girls and women. The opening reception for the artist will be held on Thursday, February 1, from 5:30 pm to 7:30 pm. The exhibition runs from February 1 through March 17, 2018.

 

Deborah Roberts states, “Having one’s identity dismantled, marginalized and regulated to non-human status demands action. This led me to critically engage image-making in art history and pop-culture, and ultimately grapple with whatever power and authority these images have over the female figure.” By combining found and manipulated photographs with paintings and drawings, Roberts creates female portraits that challenge myths and stereotypes attached to young black girls. The multi-layered faces of Roberts’ figures exemplify the multiplicity and complexities of black identity, while subverting social ideas that seek to homogenize the black female body. Although they are constructed by photographs of famous individuals, such as Michelle Obama, Willow Smith, and Gloria Steinem, the images are cut and altered beyond recognition to create a portrait that adheres to a more universal beauty standard—one inclusive of women of color.

 

The subjects of Roberts’ collages are located in the space where social expectations and stereotypes encroach upon the naiveté and innocence of childhood. 

With an eight to ten-year-old young black girl as the protagonist of her work, Roberts confronts the ubiquitous influences of popular culture and visual culture on the minds and bodies of young black girls. By reassembling and altering found photographs, Roberts reclaims power over the images that have impacted black women’s self-image since adolescence. 

 

Deborah Roberts was featured in “Fictions” at The Studio Museum in Harlem, which has just closed. She will have an upcoming solo show at the Spelman College Museum of Fine Art, Deborah Roberts: The Evolution of Mimi, which runs concurrently with our exhibition, January 23 to May 19, 2018. She has a group exhibition at MASS MOCA in 2019.

 

Roberts’ work is in the collections of The Studio Museum in Harlem, NY; Block Museum of Art, IL; Blanton Museum of Art, TX; Montclair Art Museum, NJ; and The Tang Museum, NY. Roberts earned her MFA as a Syracuse University Research Fellow at Syracuse University, and was a recipient of the Pollock-Krasner Grant in 2016.

 

For more information on this exhibition please contact the gallery at (415) 677-0770 or sf@jenkinsjohnsongallery.com