Ben Aronson, Sun and Clouds, Cap Ferrat, 2016, oil on panel, 60 x 60 inches

Lalla Essaydi, Les Femmes du Maroc, Le Fumee d'Ambre Gris, 2008, chromogenic print mounted to aluminum and protected by UV laminate, 88 x 71 inches

Lalla Essaydi, Harem #14C, 2009, chromogenic print, 40 x 30 inches

Julia Fullerton-Batten, Cathy Keen, Lapdancer, 2016, c-print, 30 x 40, 40 x 54 inches

Julia Fullerton-Batten, Mouse, Ping Pong Girl, 2016, c-print, 30 x 40, 40 x 54 inches 

Kenyatta A. C. Hinkle, The Ballast, 2014, collage on transparency, 11 x 8.5 inches

Kenyatta A.C. Hinkle, The Delivery, 2015, India ink, polyfilm, acrylic paint on wood panel, 8 x 10 inches

Kenyatta A.C. Hinkle, The Camouflage, 2014, collage on transparency, 11 x 8.5 inches

Kenyatta A.C. Hinkle, The Convergence Parts I and II, 2015, india ink, acrylic paint, Wite Out Correction Fluid, collaged paper, 30 x 20 inches each

Kenyatta A.C. Hinkle, The Givers, 2013, photo printed on archival matte paper, glitter, acrylic paint, and glass beads gel medium, 20 x 30 inches

Kenyatta A.C. Hinkle, The Greeter aka The Historian, 2016, india ink, magazine paper, and acrylic paint on wood panel, 24 x 18 inches

Kenyatta A.C. Hinkle, The Herald, 2016, yupo paper, cotton paper, and acrylic paint on panel, 12 x 12 inches

Kenyatta A.C. Hinkle, The Mutation, 2014, collage on transparency, 11 x 8.5 inches

Kenyatta A.C. Hinkle, The Officer's Bride, 2016, india ink, paper on wood panel, 24 x 18 inches

Kenyatta A.C. Hinkle, The Snake Charmer, 2014, collage on transparency, 11 x 8.5 inches 

Kenyatta A.C. Hinkle, The Sower, 2015, india ink, acrylic paint, and polyfilm on wood panel, 11 x 14 inches

Kenyatta A.C. Hinkle, The Transfiguration, 2015, Gouache, India ink and acrylic on wood panel, 8 x 8 inches

Kenyatta A.C. Hinkle, The Uprising, 2016, archves cover paper, acrylic paint, magazine, and cotton paper on wood panel, 24 x 18 inches

Kenyatta A.C. Hinkle, The Wig, 2014, collage on transparency, 11 x 8.5 inches

Lavar Munroe, For She Was the Controller of Misery and Happiness, 2016, acrylic, latex house paint, and spray paint on canvas, 96 x 96 inches

Lavar Munroe, He Was An Overseer in a World Gone Mad (Devil no. 9), 2016, acrylic, latex house paint, staples and string on unprimed canvas, 90 x 90 inches

Blessing Ngobeni, Make Us Great Again, 2016, mixed media on canvas, 64 5/8 x 126 inches

Blessing Ngobeni, The Case of States Man, mixed media on canvas, 64 5/8 x 107 7/8 inches

Nnenna Okore, Aki N'ukwa', 2016, burlap, dye, and wire, 70 x 70 x 8 inches

Nnenna Okore, Downward Journey, 2016, burlap, dye, and wire, 100 x 70 x 18 inches

Nnenna Okore, Tomorrow Never Dies, 2016, burlap, dye, and wire, 91 x 95 x 12 inches

Julian Opie, Academic, Architect, Mechanic, Musician, Waitress, 2014, lenticular prints, 34 x 21 inches

Gordon Parks, Untitled, Alabama, 1956, pigment print, 11 x 14 inches

Gordon Parks, Airline Terminal, Atlanta, Georgia, 1956, archival print, 11 x 14 inches

Gordon Parks, Boy with June Bug, Fort Sott, Kansas, edition 9/10, 1963, pigment print, 11 x 14 inches

Gordon Parks, Eldridge Cleaver and His Wife, Kathleen, Algiers, Algeria, 1970, pigment print, 24 x 20 inches

Gordon Parks, Untitled Los Angeles, California, 1963, gelatin silver print, 10 x 8 inches

Gordon Parks, The Invisible Man, Harlem, New York, edition 4/15, 1952, gelatin silver print, 16 x 20 inches

Parks, Untitled, London, England, 1966, gelatin silver print, 20 x 24 inches

Gordon Parks, Untitled, London, England, 1966, gelatin silver print, 20 x 24 inches

Gordon Parks, Untitled, Chicago, Illinois, 1963, silver gelatin print, 8 x 10 inches

Johnathan Payne, Untitled (Spiraling #I), 2016, woven shredded comic books, and adhesive, 21 x 21 inches

Johnathan Payne, Untitled (DDCC), 2016, shredded comic books and adhesive, 94 x 94

Johnathan Payne, Untitled (DDCC), 2016, shredded comic books and adhesive, 94 x 94, detail

Timotheus Tomicek, Blumen (Video Still), 2015, video, 13 x 16 x 3 inches, Edition 4 of 5

Timotheus Tomicek, Celebration, 2012, digital video installation, 38 x 22 inches, edition of 3

Aubrey Williams, Aruka Sign, 1978, oil on canvas, 28 1/8 x 36 inches
Photo Jonathan Greet, © Estate of Aubrey Williams

Aubrey Williams, Poem, 1966, oil on canvas, 24 x 35 7/8 inches 
Photo Jonathan Greet, © Estate of Aubrey Williams

Aubrey Williams, Quetzalcoatl Series IV, 1973, oil on canvas, 36 1/4 x 47 inches
Photo Jonathan Greet, © Estate of Aubrey Williams

Aubrey Williams, September, 1977, oil on canvas, 45 1/8 x 50 1/4 inches

Photo Jonathan Greet, © Estate of Aubrey Williams